The headline comes first
Write the exact words and where they sit — upper third, lower margin, centered. The rest of the frame is arranged around that line.
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Brief a poster where the headline keeps its margin, the object sits where you placed it, and paper, ink, and light are part of the design.
ming-image.com editorial Updated
Ming Image 0.1 Design is an AI image model for design frames. For posters that means the format, the hierarchy, and the line that must stay readable are the picture — not decoration applied afterward. Describe the poster, open the studio, and receive one finished frame.
Hover a frame to read the brief, copy it, or open it in the studio.

Market poster
Editorial poster on charcoal paper, gold ink, headline SPRING MARKET set in the upper third with a wide empty margin, night-market lanterns behind the type and not covering the letters, no extra logos

Night train poster
Travel poster, solid deep blue background, the words NIGHT TRAIN in large white letters across the upper half, every letter fully visible with clear spacing, no object overlapping the letters, a small warm yellow carriage window placed below the headline in the lower third, wide empty blue margin, no extra logos

Journal cover
Magazine cover on cream stock, one ceramic bowl placed low, serif headline FIELD NOTES in the upper margin, large quiet space, no extra logos

Menu card
Restaurant menu card on warm paper, title 晚市 and the line EVENING beneath it, one empty photo area, letterpress texture, no extra logos
Three decisions do most of the work.
Write the exact words and where they sit — upper third, lower margin, centered. The rest of the frame is arranged around that line.
Say what stays empty. A wide quiet margin around the headline is what keeps a poster readable instead of crowded.
Charcoal paper with gold ink reads differently than cream stock with black type. Material and light are part of the layout.
One direction can cover more than a single frame.
A headline with a reserved margin, and a scene that supports the words instead of covering them.
Large type across the upper half, a small anchor below, and empty space that does the framing.
Magazine-style covers that keep a quiet margin around one object and one line.
A poster, a pack shot, and a card that share ink and paper, so a launch reads as one kit.
Text, crops, sets, and what you actually download.